Adah Parris Keynote Speaker
- Futurist, Keynote Speaker, Cultural Strategist and creator of innovation model, Cyborg Shamanism
- TED2019 Emerging Innovator
- UK’s 2018 Top 100 Black and Minority Ethnic (BAME) Leaders in Technology
Adah Parris's Biography
Adah Parris is a futurist, story-teller, cultural strategist and highly versatile speaker. She is the creator of Cyborg Shamanism, an innovation model that subverts the ‘status quo’, drawing parallels between various digital and spiritual ecosystems. A polymath and enthusiastic curator of people, patterns and stories, Adah was recognised as one of the UK’s Top 100 Black and Minority Ethnic (BAME) Leaders in Technology in 2018.
With over 20 years’ experience in transforming cultures to create human blockchains – decentralised human ecosystems of trust and transparency – Adah has worked with businesses and individuals in advertising, education, entertainment, entrepreneurship, marketing, media, and technology start-ups. She has worked with a wide range of clients, including: Sainsbury’s, Google, Unilever, Oath, Ogilvy Labs, The British Council, The EU Council, The Tate Modern, the British Film Institute (BFI), The Union Chapel, Burning Man Camp: Playground, ArabNet Dubai, Innovate FInance, and many more.
She has a philosophical approach to technology which, combined with her skills in pattern recognition and immersive story-telling, has helped transform cultures to nurture decentralised humanity-centred innovative environments. Her innovative idea, Cyborg Shamanism was submitted to the Fast Company World Changing Ideas Awards. The concept of Cyborg Shamanism allows one to empathetically subvert the ‘status quo’. It can be utilised as a potential business application across the areas of innovation, culture, diversity and inclusion. Adah addresses how, to date, most of the development of an investment into scaled technology, especially digital technology, has been for and by the WEIRD (Western Educated Industrialised Rich and Democratic). Cyborg Shamanism offers an impact on innovation by combining ‘other ways of knowing’, which are the perspectives of First Nation Peoples, Indigenous or ancestral knowledge with the design of these new and emerging technologies. It is specifically related to SDG 17, Partnerships for the Goals, providing a new approach for work and enabling people to address the other SDGs as equals and inclusive partners.
Adah is also an artist. She describes her paintings as a “result of a lifetime of unexpressed multi-sensory perception” and a continuation of her lifelong work in creating immersive multi-sensory experiences. She is currently Artist in Residence at SBCAST (the Santa Barbara Centre for Art, Science and Technology). She is Ex-Artist in Residence and alumni of two programmes, The Design Science Studio (Buckminster Fuller Institute) and The Living Collaboratory between the Design Science Studio and the Emergent Media Lab at The University of California Irvine.
Adah’s innovative approach and experience has led her to be a frequently sought-after keynote speaker for The House of Beautiful Business in Lisbon, the British Interactive Media Association (BIMA) Emerging Technology Showcase, and for ArabNet Digital Summit in Dubai. She has spoken at Uniqlo Tate Lates; a response to Artist Jenny Holzer’s Truism: Technology will Make or Break Us, and she has co-hosted The Fourth Group Political Summit 2018 – Citizens in the Digital Age. In November 2019, she hosted an immersive roundtable discussion on Cyborg Shamanism and the design of Future Technologies at the Tate Modern.
For two consecutive years (2020 and 2021), Adah has been longlisted in Computer Weekly’s Top 50 Women in UK Tech. In 2019, she was nominated by Google as one of the TED Talks Global Emerging Innovators.
Her speaking topics question whether people are looking for a new religion through the use of technology, finding a balance in the digital world, the impact of the commoditisation of technology on the individual and whether one can achieve flow in a technological hyperconnected world, in the hopes that one may explore whether technology is a global phenomenon or if it has become rapidly commodified.